Néstor Vildoza
Argentina

most important prizes

2012: Femechaco Prize. International Biennial of Sculpture.
2008: 2nd Prize. Symposium of Sculpture at Differdange, Luxembourg.
2006: 3rd Prize. International Symposium of Stone Sculpture. Julienne, France.
2002: 3rd Prize acquisition. 79th National Hall of Visual Arts. Santa Fe. Argentina.
2000: 3rd Prize. International Symposium of Modern Sculpture. Lima, Peru.
1999: 2nd Prize. National Contest of Black Marble Sculpture, Parque Avellaneda, Buenos Aires, Argentina. Ciudad de la Rioja Plastic Arts Prize. Silver Famatina.
1998: National Hall of Sculpture, Argentina.
1997: 2nd Prize and Sculptors Prize. International Symposium of Wooden Sculpture. Alem, Misiones .
 

proyect
the mad of the dock

Generally speaking, mad people express things that rational stability doesn’t want to show, because madness expresses irrational dimensions that the given social order and normality don’t want to face.
Unbalanced people allowed representing, from the very beginning, significant aspects of society and motivated artistic and literary creations of global significance. As André Malraux said: “ The true mad person doesn’t fake, and because of it, he or she shares a domain with the artist: The breaking, but the artist’s breaking is a support and a moment of his or her genius, and mad person’s breaking is a prison. The mad person is a prisoner of the drama of his liberty.